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Arcades - Henry Cow - Unrest (CD, Album)


1999
Label: Locus Solus - LSI 2038 • Format: CD Album, Remastered • Country: Japan • Genre: Jazz, Rock • Style: Free Jazz, Art Rock, Avantgarde
Arcades - Henry Cow - Unrest (CD, Album)

View credits, reviews, tracks and shop for the CD release of Unrest on Discogs. Label: ArsNova - ARSN • Series: ArsNova Copies Selections - AN • Format: CD Album, Reissue, Remastered, Unofficial Release • Country: Russia • Genre: Jazz, Rock • 3/5(1).

Henry Cow - Unrest - Music. Skip to main Hello Select your address CDs & Vinyl Hello, Sign in. Account & Lists Returns & Orders. Cart All Missing: Arcades.

Recorded at the Manor Feb./Mar. Dedicated to Robert Wyatt and Uli Trepte. All the sounds were made with the instruments listed above; however, in parts of 3. and 5., the bassoon, alto, voice and drums were recorded at half or double speed.4/5(5).

Mixed By – Henry Cow (tracks: 5 to 8), Phil Becque (tracks: 1 to 4), Tim Hodgkinson (tracks: 9 to 10) Photography By – Anne Lamberty. Piano – Fred Frith, John Greaves, Tim Hodgkinson. Producer – Henry Cow. Vocals [Certain Vocals] – Charles Fletcher.5/5(8).

In early , Henry Cow returned to Virgin's Manor Studios to record their second album called Unrest. It is known that there were many tensions between the members while recording this album. From a certain point of view, that is detectable at times with the band breaking free from the aesthetic of their first offering/5.


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2 thoughts on “Arcades - Henry Cow - Unrest (CD, Album)”

  1. Track 1 to 8 originally released on LP in (Virgin V). Bonus tracks 9 & 10 are taken from raw material recorded at the UNREST sessions. They were mixed at Cold Storage Studios in All the sounds were made with the instruments listed above; however, in parts of Ruins and Linguaphonie, the bassoon, alto, voice and drums were recorded /5(2).

  2. With UNREST, Henry Cow moved beyond the jazz-influenced sound of their first recording, LEG END, on to an album with two personalities - the composed pieces are definitely more `studied' in their compositions, and the improvisations feature a technique still evolving within the band, that of using the studio itself as an instrument of album opens with quite a catchy little number, /5(40).

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